In a society where ‘everything is permitted’ for a chosen few, what do the iconic Karamazov brothers have to say to the world today?
Richard Crane and Faynia Williams’s ground-breaking version of Dostoyevsky’s masterpiece, Brothers Karamazov was the box office hit of the 1981 Edinburgh International Festival. In the precarious world of 2017 it is even more pertinent - politically, spiritually, and societally.
With wit and compassion and underscored by haunting a cappella harmonies sung by the four brothers, Crane’s dramatisation tackles huge philosophical questions such as faith and immortality, the rights of children, and nationalism versus the European ideal.
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