The Lone Bellow burst onto the scene with their self-titled debut in 2013. The Brooklyn-based quickly became known for their transcendent harmonies, serious musicianship and raucous live performance – a reputation that earned them their rabid fan base. It’s been three years since the band’s victorious Then Came The Morning was released.
Produced by The National’s Aaron Dessner, the album was nominated for an Americana Music Award. The band appeared on “Jimmy Kimmel Live,” “Late Show With David Letterman,” “Conan O’Brien,” “CBS This Morning,” “Later…with Jools Holland,” and “The Late Late Show With James Corden” in support of the album. In the years since the release, the band left their beloved adopted home for Brooklyn and moved to Nashville. Now, The Lone Bellow is back with Walk into A Storm, produced by legendary music producer Dave Cobb (Chris Stapleton, Sturgill Simpson and more) and features their lead single “Time’s Always Leaving.” The trio, featuring Zach Williams (guitar/vocals), Kanene Donehey Pipkin (multi-instrumentalist), and Brian Elmquist (guitar), recorded this album in only seven days. The group’s first two albums graced the Billboard 200.
Deer Tick: undercutting expectations since 2004.
“I think a lot of my favourite artists have always done stuff like that,” Deer Tick front man John McCauley says from his home in Nashville, reflecting on his band’s love of unexpected mashups: tender lyrics layered over pissed off guitars; classical music flourishes delivered nearly naked and high. Deer Tick’s perfected it all, mostly as an outlier, revered by a legion of fans, respected by peers, but not part of any one scene. With their highly anticipated new project(s), two new albums released simultaneously titled Deer Tick Vol. 1 and Deer Tick Vol. 2, the crew from Rhode Island prove that their punk-roots rock has only gotten better with age.
Ambitious and smart, the twin albums complement one another but also stand independently. Vol. 1 is classic Deer Tick: folk-rooted acoustic guitars and soft piano cushion out-front vocals. Vol. 2 commits wholly to the band’s longtime garage-rock flirtations for a triumphant foray into punk.
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