With adulation for his Peter Grimes last year at London’s Royal Opera House, Allan Clayton is the most exciting British tenor of the moment – and one of our most celebrated interpreters of Britten. He’s the soloist amid the fanfares, parades and sensual visions of Britten’s larger-than-life Les Illuminations, settings of phantasmagorical verse by French poet Arthur Rimbaud.
There’s more Gallic surrealism in the witty Songs for tenor, violin and drone by New York-based Nico Muhly, and Kuusisto is the soloist in the long-awaited Scottish premiere of his friend and colleague’s dashing, exuberant violin concerto Shrink. In between, Haydn’s final, grandest and most joyful Symphony, written expressly to surprise and delight.
*Co-commissioned by Norwegian Chamber Orchestra, Australian Chamber Orchestra, Mahler Chamber Orchestra, St Paul Chamber Orchestra and Scottish Chamber Orchestra.
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