The Burrell Collection in Glasgow reopens following major refurbishment
The Burrell Collection in Glasgow will reopen to the public today after major refurbishment.
Article Source: Glasgow Life
Last Updated: 29 March 2022 6:56
View of interactive digital experience ‘Which hat is mine?’
Image courtesy of © CSG CIC Glasgow Museums Collections
The A-listed home of The Burrell Collection in Pollok Country Park is now a modern, greener museum that will show more of the Collection to visitors and give access to over a third more of the building.
Exterior of The Burrell Collection, showing restaurant with new entrance
Image courtesy of © CSG CIC Glasgow Museums Collections
Sir William Burrell devoted more than 75 years of his life to amassing, along with his wife, Constance, Lady Burrell, one of the world’s greatest personal art collections, renowned for its quality of Chinese art, exquisite stained glass and intricate tapestries, as well as its breadth of fine art.
The donation of the Collection to the city was described at the time as: “One of the greatest gifts ever made to any city in the world.” (Sir Hector Hetherington, Principal of Glasgow University).
The Collection is home to the Wagner garden carpet which is one of the earliest surviving Persian garden carpets in the world, and has rarely been on public display since The Burrell Collection first opened in 1983. The museum’s refurbishment and redisplay means this priceless carpet will now be on long-term display, accompanied by new and innovative methods of interpretation.
Children marvelling at The Wagner Garden Carpet
Image courtesy of © CSG CIC Glasgow Museums Collections
Other highlights include Chinese pottery and porcelain produced over a 5,000-year period, making it one of the most significant collections of Chinese Art in Europe; paintings by renowned French artists including Manet, Cézanne and Degas; Medieval treasures including stained glass, arms and armour, and over 200 tapestries and 150 carpets, which are among the finest in the world.
Nearly half of the funding for the £68.25 million project was committed by Glasgow City Council with more than a quarter coming from the National Lottery Heritage Fund, and significant donations from The Scottish Government, the UK Government, and from many generous trusts and private donors.
On reopening, the museum’s gallery space has increased by 35%, allowing important and unique objects from the Collection, which have not been seen for decades, or have never been on permanent display, to go on show.
View of Central Gallery
Image courtesy of © CSG CIC Glasgow Museums Collections
New displays will give visitors a better understanding of the international significance of The Burrell Collection’s artworks and the people who made them and some of the people who have owned them. In total 225 displays will spread across 24 galleries. The displays include innovative digital elements such as video walls, interactives and hybrid systems created to help people engage with the stories behind the Collection.
The Burrell Collection’s refurbishment will also bring new visitors to Glasgow’s south side and to Pollok Country Park to enjoy a full day out. Pollok Country Park is Glasgow’s largest green space and is home to Pollok House, Pollok Stables and Sawmill which will be redeveloped, spectacular gardens, woodside walks and play areas. Paths and roads have been improved; benches, new signage and vehicle barriers restricting access along the main through-route in the centre of the park have been installed, and electric vehicle chargers, electric shuttle bus stops, and NextBike bikes and e-bikes will prioritise active travel.
For the first weekend The Burrell Collection is open (2 and 3 April), outdoor events and activities are also being delivered with support from EventScotland’s Year of Stories.
A new central stairway will allow visitors access to the lower floor of The Burrell Collection for the first time, where they can watch items not on display being cared for. A new temporary exhibition space has also been created. Similarly, new galleries have been created on upper floors which will take visitors to spaces in the building they have never seen before.
The museum’s environmental performance has been enhanced by greatly improving the building’s exterior through a new roof, glazing and cladding, and by replacing power, heating and lighting systems with more efficient and sustainable technologies.
The changes made to the fabric of the building to make it more air tight and water tight, and new glazing make it far less susceptible to changes in heat, and the upgrades of plant and systems means the building is far more efficient, and able to take advantage of new technologies in the future to lessen its impact further. The building has achieved industry standard BREEAM rating of “Excellent” – a major achievement for a refurbishment.
Architects John McAslan + Partners, appointed in 2016, are the refurbishment project’s architect and landscape designers.
Event was appointed in 2014 to develop the masterplan for the project and subsequently in 2016 to develop the visitor experience and to design and deliver the exhibition displays on all three floors of the building.
Since The Burrell Collection closed to the public in October 2016, a comprehensive consultation programme has engaged with more than 15,000 local people who have given their ideas, insights and opinions. This input has shaped every aspect of the redesign of the building, access to it and the development of the new displays, galleries and spaces within and around the museum.
The Scottish Parliament passed a bill in 2014 which would allow international loans of objects from and to The Burrell Collection. While it was closed, objects from the Collection were seen by more than a million people on loan to museums in New York, Paris, Japan and London.
As the world recovers from Covid-19, The Burrell is a reminder of culture’s contribution to the vibrancy and international appeal of Glasgow.
The opening of The Burrell Collection in 1983 was one of the first demonstrations of Glasgow’s commitment to cultural-led regeneration. By harnessing the power of its incredible cultural draw, Glasgow has positioned itself as one of the world’s great cultural and creative cities, making it a must-visit destination.
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