Steven Vass - Let The Music Play: How R&B Fell In Love With 80s Synths
As part of the Mitchell Library's Beyond the Bassline events programme, they welcome local journalist Steven Vass to discuss his first book Let the Music Play!
About Steven Vass - Let The Music Play: How R&B Fell In Love With 80s Synths
Inspired by the British Library’s new Beyond the Bassline exhibition, the Mitchell Library will host a free panel display to help tell a national story about Black music in Britain through the Living Knowledge Network.
The panel display at the Mitchell Library documents 500 years of Black music in Britain and explores the people, places and genres that have formed a British soundtrack. It highlights music as a form of entertainment and vehicle for community, as well as a source of liberation, protest and education, and spotlights clubs, carnivals and community hubs from across the country that have cultivated creative expression and inspired a number of Black British music genres.
Augmented by Mitchell Library’s own collection, regional connections and Glasgow’s local music scene, the Beyond the Bassline display and events programme helps to tell a national story about Black music in Britain.
As part of this events programme, we are delighted to welcome local journalist Steven Vass to discuss his first book Let the Music Play which provides a detailed look at how artists and producers used synths and other new music tech to reinvent R&B in the 1980s. In this fascinating book Steven tells the overlooked story of how R&B, disco and funk were transformed by the explosion of synths and other music tech in the era of ghetto blasters, shoulder pads and Ronald Reagan. He traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers in the US and UK to reinvent music using a whole new set of rules - creating a blueprint for music today.
“When anybody talks about 80s synth, they’re usually talking about British invaders like The Human League and Soft Cell, the beginnings of Detroit techno/Chicago house, or early hip-hop. Now, these are all fantastic, but so much has been written about them already! We tend to ignore that generation of mainly black stars in America and the UK who used synths, drum machines and sequencers to bombard the charts with a new futuristic R&B”, Steven Vass
Steven will be in discussion with Susan Taylor, Special Collections Librarian at the Mitchell Library, following which there will be an opportunity for audience questions.
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